100 Best TV Shows of the 21st Century: Printable List
The 100 Best TV Shows of the 21st Century: A Printable List
Introduction: The Golden Age of Modern Television
The Evolution of 21st-Century TV Storytelling
Television in the 21st century transitioned from disposable, episodic broadcast content into high-investment, cinematic serialized art. The standard 22-episode network model traditionally relied on procedural resets and syndication-friendly structures. Cable networks such as HBO, FX, and AMC disrupted this format by prioritizing creator-driven visions, morally ambiguous antiheroes, and continuous narrative arcs spanning multiple seasons.
The expansion of broadband internet and direct-to-consumer streaming services accelerated this transformation. Platforms including Netflix, Max, Hulu, Apple TV+, and Amazon Prime Video eliminated rigid timeslot programming and linear broadcast constraints. Production budgets expanded to rival major studio feature films, drawing premier cinematic directors, screenwriters, and actors to long-form episodic storytelling.
Audiences gained immediate access to global productions, non-linear releases, and ambitious genre narratives. High production values, experimental structural formats, and nuanced character psychology established modern television as a dominant medium for contemporary narrative art.
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| EVOLUTION OF MODERN TELEVISION |
| |
| 20th Century Network Era 21st Century Golden Age |
| - 22-episode procedural resets - 8 to 13-episode serialized arcs |
| - Syndication-driven constraints - Creator-driven auteur projects |
| - Rigid linear broadcast schedules - Global on-demand streaming access |
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Ranking Criteria and Selection Methodology
This curated ranking identifies the 100 defining television programs broadcast between January 1, 2001, and the present. Selection follows four core metrics:
- Critical Acclaim: Aggregate review scores across major industry databases, contemporaneous professional criticism, and enduring scholarly analysis.
- Cultural Impact: Measurable influence on popular discourse, viewing habits, television production standards, and cross-media storytelling.
- Narrative and Visual Innovation: Formal experimentation in non-linear plotting, cinematography, sound design, editing, and thematic depth.
- Structural Consistency: Sustained creative execution across a full run or the complete delivery of a self-contained limited narrative.
Eligible titles must have broadcast the decisive majority of their run after January 1, 2000. Programs originating in the late 1990s qualify only if their primary narrative impact and season majority occurred within the 21st century.
Printable Checklist and Viewing Guide
Complete 1–100 Checklist (Printable Grid Format)
Use this reference table to track your viewing progress across the century’s top-rated series.
| Rank | Show Title | Release Year | Original Network / Platform | Total Seasons | Genre | Watch Status |
|---|---|---|---|---|---|---|
| 1 | The Wire | 2002–2008 | HBO | 5 | Crime / Drama | [ ] |
| 2 | Breaking Bad | 2008–2013 | AMC | 5 | Crime / Drama | [ ] |
| 3 | The Sopranos (Seasons 3–6) | 2001–2007 | HBO | 4 (of 6) | Crime / Drama | [ ] |
| 4 | Mad Men | 2007–2015 | AMC | 7 | Period Drama | [ ] |
| 5 | Succession | 2018–2023 | HBO | 4 | Satire / Drama | [ ] |
| 6 | Better Call Saul | 2015–2022 | AMC | 6 | Crime / Legal Drama | [ ] |
| 7 | The Leftovers | 2014–2017 | HBO | 3 | Mystery / Drama | [ ] |
| 8 | Fleabag | 2016–2019 | BBC / Prime Video | 2 | Comedy / Drama | [ ] |
| 9 | Atlanta | 2016–2022 | FX | 4 | Surreal Comedy / Drama | [ ] |
| 10 | Twin Peaks: The Return | 2017 | Showtime | 1 | Surreal Mystery | [ ] |
| 11 | Deadwood | 2004–2006 | HBO | 3 | Western / Drama | [ ] |
| 12 | The Americans | 2013–2018 | FX | 6 | Espionage / Thriller | [ ] |
| 13 | Severance | 2022–Present | Apple TV+ | 1+ | Sci-Fi / Thriller | [ ] |
| 14 | Band of Brothers | 2001 | HBO | 1 (Miniseries) | War / Drama | [ ] |
| 15 | Chernobyl | 2019 | HBO | 1 (Miniseries) | Historical Drama | [ ] |
| 16 | BoJack Horseman | 2014–2020 | Netflix | 6 | Animated / Tragicomedy | [ ] |
| 17 | Fargo | 2014–Present | FX | 5 | Crime / Anthology | [ ] |
| 18 | The Shield | 2002–2008 | FX | 7 | Crime / Drama | [ ] |
| 19 | Lost | 2004–2010 | ABC | 6 | Sci-Fi / Mystery | [ ] |
| 20 | Game of Thrones | 2011–2019 | HBO | 8 | Fantasy / Drama | [ ] |
| 21 | Curb Your Enthusiasm | 2000–2024 | HBO | 12 | Comedy | [ ] |
| 22 | Parks and Recreation | 2009–2015 | NBC | 7 | Sitcom / Mockumentary | [ ] |
| 23 | The Office (US) | 2005–2013 | NBC | 9 | Sitcom / Mockumentary | [ ] |
| 24 | Veep | 2012–2019 | HBO | 7 | Political Satire | [ ] |
| 25 | Arrested Development (Seasons 1–3) | 2003–2006 | FOX | 3 | Sitcom | [ ] |
| 26 | 30 Rock | 2006–2013 | NBC | 7 | Satire / Sitcom | [ ] |
| 27 | Battlestar Galactica | 2004–2009 | Sci-Fi Channel | 4 | Military Sci-Fi | [ ] |
| 28 | Dark | 2017–2020 | Netflix | 3 | Sci-Fi / Mystery | [ ] |
| 29 | Station Eleven | 2021–2022 | Max | 1 (Miniseries) | Dystopian / Drama | [ ] |
| 30 | Watchmen | 2019 | HBO | 1 (Miniseries) | Sci-Fi / Drama | [ ] |
| 31 | Rectify | 2013–2016 | SundanceTV | 4 | Drama | [ ] |
| 32 | Justified | 2010–2015 | FX | 6 | Neo-Western / Crime | [ ] |
| 33 | Boardwalk Empire | 2010–2014 | HBO | 5 | Period Crime | [ ] |
| 34 | Six Feet Under | 2001–2005 | HBO | 5 | Drama | [ ] |
| 35 | The Bear | 2022–Present | FX on Hulu | 3+ | Comedy / Drama | [ ] |
| 36 | Barry | 2018–2023 | HBO | 4 | Dark Comedy / Crime | [ ] |
| 37 | Nathan for You | 2013–2017 | Comedy Central | 4 | Docu-Comedy / Satire | [ ] |
| 38 | Peep Show | 2003–2015 | Channel 4 | 9 | Sitcom | [ ] |
| 39 | The Office (UK) | 2001–2003 | BBC Two | 2 | Sitcom / Mockumentary | [ ] |
| 40 | Community | 2009–2015 | NBC / Yahoo! | 6 | Comedy | [ ] |
| 41 | It’s Always Sunny in Philadelphia | 2005–Present | FX / FXX | 16+ | Sitcom | [ ] |
| 42 | Halt and Catch Fire | 2014–2017 | AMC | 4 | Period Drama | [ ] |
| 43 | Hannibal | 2013–2015 | NBC | 3 | Psychological Thriller | [ ] |
| 44 | Mindhunter | 2017–2019 | Netflix | 2 | Psychological Crime | [ ] |
| 45 | The Crown | 2016–2023 | Netflix | 6 | Historical Drama | [ ] |
| 46 | Peaky Blinders | 2013–2022 | BBC / Netflix | 6 | Period Crime | [ ] |
| 47 | Stranger Things | 2016–Present | Netflix | 4+ | Sci-Fi / Horror | [ ] |
| 48 | True Detective (Season 1) | 2014 | HBO | 1 | Crime / Anthology | [ ] |
| 49 | Mare of Easttown | 2021 | HBO | 1 (Miniseries) | Crime / Drama | [ ] |
| 50 | The Queen’s Gambit | 2020 | Netflix | 1 (Miniseries) | Period Drama | [ ] |
| 51 | Squid Game | 2021–Present | Netflix | 1+ | Thriller / Drama | [ ] |
| 52 | Arcane | 2021–2024 | Netflix | 2 | Animated / Fantasy | [ ] |
| 53 | Avatar: The Last Airbender | 2005–2008 | Nickelodeon | 3 | Animated / Fantasy | [ ] |
| 54 | Rick and Morty | 2013–Present | Adult Swim | 7+ | Animated / Sci-Fi | [ ] |
| 55 | What We Do in the Shadows | 2019–2024 | FX | 6 | Mockumentary / Comedy | [ ] |
| 56 | The Good Place | 2016–2020 | NBC | 4 | Fantasy / Comedy | [ ] |
| 57 | Broad City | 2014–2019 | Comedy Central | 5 | Comedy | [ ] |
| 58 | Girls | 2012–2017 | HBO | 6 | Comedy / Drama | [ ] |
| 59 | I May Destroy You | 2020 | BBC / HBO | 1 (Miniseries) | Drama | [ ] |
| 60 | Pose | 2018–2021 | FX | 3 | Drama | [ ] |
| 61 | The Knick | 2014–2015 | Cinemax | 2 | Period Medical Drama | [ ] |
| 62 | Borgen | 2010–2022 | DR1 / Netflix | 4 | Political Drama | [ ] |
| 63 | Babylon Berlin | 2017–Present | Sky One / Netflix | 4+ | Historical Crime | [ ] |
| 64 | Gomorrah | 2014–2021 | Sky Atlantic | 5 | Crime Drama | [ ] |
| 65 | Money Heist (La Casa de Papel) | 2017–2021 | Antena 3 / Netflix | 5 | Heist / Thriller | [ ] |
| 66 | Call My Agent! (Dix pour cent) | 2015–2020 | France 2 / Netflix | 4 | Comedy / Drama | [ ] |
| 67 | Lupin | 2021–Present | Netflix | 3+ | Mystery / Thriller | [ ] |
| 68 | Pachinko | 2022–Present | Apple TV+ | 2+ | Historical Drama | [ ] |
| 69 | Andor | 2022–Present | Disney+ | 1+ | Sci-Fi / Spy Thriller | [ ] |
| 70 | The Mandalorian | 2019–Present | Disney+ | 3+ | Sci-Fi / Space Western | [ ] |
| 71 | The Boys | 2019–Present | Prime Video | 4+ | Satirical Superhero | [ ] |
| 72 | Invincible | 2021–Present | Prime Video | 2+ | Animated / Superhero | [ ] |
| 73 | Samurai Jack (Season 5) | 2017 | Adult Swim | 1 | Animated / Action | [ ] |
| 74 | Primal | 2019–Present | Adult Swim | 2+ | Animated / Adventure | [ ] |
| 75 | Over the Garden Wall | 2014 | Cartoon Network | 1 (Miniseries) | Animated / Dark Fantasy | [ ] |
| 76 | Friday Night Lights | 2006–2011 | NBC / 101 Network | 5 | Sports / Drama | [ ] |
| 77 | Line of Duty | 2012–2021 | BBC | 6 | Police Procedural | [ ] |
| 78 | Broadchurch | 2013–2017 | ITV | 3 | Crime / Mystery | [ ] |
| 79 | Happy Valley | 2014–2023 | BBC One | 3 | Crime Drama | [ ] |
| 80 | Luther | 2010–2019 | BBC One | 5 | Psychological Crime | [ ] |
| 81 | Sherlock | 2010–2017 | BBC One | 4 | Mystery / Crime | [ ] |
| 82 | Downton Abbey | 2010–2015 | ITV / PBS | 6 | Period Drama | [ ] |
| 83 | The Expanse | 2015–2022 | Syfy / Prime Video | 6 | Hard Sci-Fi | [ ] |
| 84 | Fringe | 2008–2013 | FOX | 5 | Sci-Fi / Procedural | [ ] |
| 85 | Person of Interest | 2011–2016 | CBS | 5 | Sci-Fi / Crime | [ ] |
| 86 | Orphan Black | 2013–2017 | Space / BBC America | 5 | Sci-Fi / Thriller | [ ] |
| 87 | Utopia (UK) | 2013–2014 | Channel 4 | 2 | Conspiracy Thriller | [ ] |
| 88 | Top of the Lake | 2013–2017 | BBC Two / Sundance | 2 | Mystery / Drama | [ ] |
| 89 | Show Me a Hero | 2015 | HBO | 1 (Miniseries) | Political Drama | [ ] |
| 90 | Olive Kitteridge | 2014 | HBO | 1 (Miniseries) | Drama | [ ] |
| 91 | When They See Us | 2019 | Netflix | 1 (Miniseries) | Biographical Drama | [ ] |
| 92 | Unbelievable | 2019 | Netflix | 1 (Miniseries) | Crime Drama | [ ] |
| 93 | Small Axe | 2020 | BBC / Prime Video | 1 (Anthology) | Historical Drama | [ ] |
| 94 | The Underground Railroad | 2021 | Prime Video | 1 (Miniseries) | Historical Fantasy | [ ] |
| 95 | The Rehearsal | 2022–Present | HBO | 1+ | Docu-Comedy | [ ] |
| 96 | Review | 2014–2017 | Comedy Central | 3 | Mockumentary / Comedy | [ ] |
| 97 | Documentary Now! | 2015–Present | IFC | 4+ | Mockumentary / Satire | [ ] |
| 98 | Catastrophe | 2015–2019 | Channel 4 / Prime | 4 | Comedy / Romance | [ ] |
| 99 | Silicon Valley | 2014–2019 | HBO | 6 | Tech Satire / Comedy | [ ] |
| 100 | Schitt’s Creek | 2015–2020 | CBC / Pop TV | 6 | Sitcom | [ ] |
How to Use the Watchlist Tracker
Print the list using browser commands (Ctrl+P on Windows or Cmd+P on macOS). Select Save as PDF or send directly to a printer on Letter/A4 format.
Use the checkbox column to track completed series. Sort your viewing by tier to prioritize foundational modern classics, or filter by platform to align with active streaming subscriptions.
Tier 1: The Modern Masterpieces (Ranks 1–20)
Prestige Dramas That Defined the Era (Ranks 1–10)
Tier 1 highlights series that redefined narrative structures, cinematography, and character development across the medium.
- The Wire (HBO): David Simon’s analytical exploration of Baltimore deconstructs institutional decline across law enforcement, narcotics, labor, municipal politics, public education, and print journalism.
- Breaking Bad (AMC): Vince Gilligan’s character study maps Walter White’s moral transformation into a narcotics kingpin, elevating serialized pacing and visual symbolism.
- The Sopranos (HBO, Post-2000 Seasons): David Chase’s flagship series established the template for prestige television through psychological subtext, dream logic, and narrative ambiguity.
- Mad Men (AMC): Matthew Weiner’s period drama examines postwar American consumerism and identity through advertising executive Don Draper.
- Succession (HBO): Jesse Armstrong’s boardroom drama dissects dynastic wealth, corporate media consolidation, and familial trauma.
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| CORE THEMATIC PILLARS OF TIER 1 DRAMAS |
| |
| The Wire -> Institutional decay and systemic social failures |
| Breaking Bad -> Moral corruption and deterministic consequences |
| The Sopranos -> Subconscious guilt, modernity, and psychoanalysis |
| Mad Men -> Identity, consumerism, and mid-century alienation |
| Succession -> Dynastic trauma, wealth insularity, and media power |
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Game-Changing Visionaries (Ranks 11–20)
- Better Call Saul (AMC): Transforms Jimmy McGill’s legal decline into a deliberate, visually precise study of ethics and personal consequence.
- The Leftovers (HBO): Damon Lindelof and Tom Perrotta explore existential grief and belief systems in the wake of an unexplained global disappearance.
- Twin Peaks: The Return (Showtime): David Lynch and Mark Frost expanded television boundaries through avant-garde pacing, surrealism, and intricate sound design.
- Atlanta (FX): Donald Glover’s series blends afrosurrealism, economic reality, and sharp social satire.
- Fleabag (BBC/Prime Video): Phoebe Waller-Bridge modernized direct-address narration to examine intimacy, guilt, and modern vulnerability.
Tier 2: Acclaimed Dramas, Thrillers, and Sci-Fi (Ranks 21–50)
High-Concept Sci-Fi and Mystery (Ranks 21–35)
This tier highlights ambitious world-building, high-stakes plotting, and existential genre concepts:
- Severance (Apple TV+): Explores corporate alienation through a surgical procedure that bifurcates workplace and personal memories.
- Dark (Netflix): Germany’s landmark time-travel series combines multi-generational family drama with rigid causal loops.
- Lost (ABC): Redefined appointment viewing through serial cliffhangers, community theory-building, and character flashbacks.
- Battlestar Galactica (Sci-Fi Channel): Rebuilt space opera conventions into a post-9/11 allegory on military ethics, civil liberties, and artificial intelligence.
- Stranger Things (Netflix): Blends 1980s genre nostalgia, practical horror craft, and ensemble dynamics into a global streaming benchmark.
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| HIGH-CONCEPT SCI-FI AND MYSTERY |
| |
| Series Primary Premise Core Narrative Device |
| ------------------------------------------------------------------------- |
| Severance Bifurcated workplace memory Corporate psychological lab |
| Dark Multi-generational time loops Deterministic causal logic |
| Lost Island plane crash survival Character flashbacks |
| Battlestar Gal. Cylon fleet survival pursuit Political allegory |
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Crime, Law, and Historical Epics (Ranks 36–50)
- Deadwood (HBO): Uses heightened dialogue to chronicle the transition from frontier lawlessness to institutional governance.
- The Americans (FX): Uses Cold War espionage to dissect the complexities of marriage, ideology, and identity.
- Fargo (FX): Adapts the Coen Brothers’ cinematic tone into Midwestern crime anthologies driven by distinct moral fables.
- Boardwalk Empire (HBO): Details the rise of organized crime during Prohibition with elaborate period detail.
- Peaky Blinders (BBC/Netflix): Follows the rise of the Shelby crime syndicate across post-WWI industrial Britain.
Tier 3: Comedies, Dramedies, and Animation (Ranks 51–75)
Groundbreaking Comedy and Satire (Ranks 51–65)
The 21st century saw single-camera mockumentaries, satirical writing, and cringe comedy replace traditional multi-camera sitcoms.
- The Office (UK & US): Popularized mockumentary storytelling by capturing mundane workplace dynamics with observational humor.
- Parks and Recreation (NBC): Balanced political satire with civic optimism and strong ensemble chemistry.
- Curb Your Enthusiasm (HBO): Elevated situational irony and social friction into long-form comedic arcs.
- Veep (HBO): Deconstructs bureaucratic inefficiency and political ambition through razor-sharp dialogue.
- What We Do in the Shadows (FX): Integrates mockumentary filmmaking into supernatural horror-comedy.
Animated Innovations and Genre Benders (Ranks 66–75)
- BoJack Horseman (Netflix): Uses animated satire to deliver a candid examination of depression, addiction, and accountability.
- Arcane (Netflix): Set new standards for video game adaptations through rich world-building, class conflict, and digital hand-painted animation.
- Rick and Morty (Adult Swim): Merges theoretical science fiction with cynical family satire.
- The Bear (FX on Hulu): Balances culinary operational intensity with generational trauma and workplace dramedy.
- Barry (HBO): Explores violence and narcissism through the lens of a contract killer pursuing an acting career.
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| COMEDIC AND DRAMATIC STRUCTURAL INNOVATIONS |
| |
| Format Key Pioneer Series Key Structural Innovation |
| ------------------------------------------------------------------------- |
| Mockumentary The Office / Parks & Rec Direct camera address |
| Dark Tragicomedy BoJack Horseman / Barry Sudden tonal transitions |
| High-Paced Satire Veep / Silicon Valley Ensemble insult density |
| Cinematic Animation Arcane / Primal Painterly digital craft |
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Tier 4: Masterclass Limited Series and Global Breakthroughs (Ranks 76–100)
Definitive Miniseries and Anthology Runs (Ranks 76–88)
Limited series offer concise narrative arcs without serialization bloat.
- Band of Brothers (HBO): Sets the standard for WWII dramatizations through historical fidelity and grounded combat realism.
- Chernobyl (HBO): Craig Mazin’s procedural miniseries chronicles the 1986 nuclear disaster and the societal cost of systemic deception.
- Watchmen (HBO): Explores structural racism and vigilante mythologies by expanding upon the original graphic novel.
- Station Eleven (Max): A post-apocalyptic narrative highlighting art, memory, and community resilience.
- Mare of Easttown (HBO): Grounds the small-town murder mystery in authentic regional grief and character relationships.
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| LIMITED SERIES BENCHMARKS |
| |
| Chernobyl -> Procedural accuracy and systemic accountability |
| Band of Brothers -> Historical combat realism and company camaraderie |
| Watchmen -> Historical revisionism and institutional power |
| Station Eleven -> Art, endurance, and post-crisis rebuilding |
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International Phenomena (Ranks 89–100)
Streaming distribution dismantled regional barriers, bringing non-English masterworks to global audiences:
- Squid Game (South Korea): A high-stakes survival thriller that became a global phenomenon with its sharp allegories on economic inequality.
- Dark (Germany): A celebrated time-travel narrative noted for its intricate, internally consistent causal logic.
- Money Heist (La Casa de Papel, Spain): Reinvigorated the heist genre through dynamic pacing and cliffhanger-driven plotting.
- Babylon Berlin (Germany): Lavish Weimar-era noir exploring interwar politics, extremism, and civic corruption.
- Call My Agent! (Dix pour cent, France): Satirical agency comedy delivering an insider look at European film culture.
Frequently Asked Questions (FAQ)
What qualifies a series for the 21st-century list?
A show must have premiered on or after January 1, 2001, or broadcast the decisive majority of its total run and cultural footprint within the 21st century (e.g., The Sopranos aired four of its six seasons between 2001 and 2007).
Why are limited series included alongside multi-season shows?
Limited series represent an essential pillar of prestige television, attracting cinematic creators, delivering closed narrative arcs, and competing in primary industry awards categories.
Where can I stream these 100 shows?
Most selections are available on major platforms including Max, Netflix, Hulu, Disney+, Amazon Prime Video, and Apple TV+, subject to regional distribution rights.
How was the ranking order determined?
Rankings were established by weighing aggregate critical reception, narrative innovation, industry influence, production quality, and consistency across full runs.
How do I print the checklist format efficiently?
Press Ctrl+P (Windows) or Cmd+P (macOS) in your web browser. Under printer settings, select Save as PDF or send to a connected printer. Choose “Fit to Printable Area” or “Fit to Page” for an organized physical checklist.